Eighteen Year Larch Progression
This tree was collected ca. 1995 by John Biel in preparation for the IBC ’97 convention in Toronto. Dozens of cedars and larches were collected to be used as workshop material for that event, and afterwards they were dispersed around North America with their new owners. If you’ve seen or heard of a thuja or larix in the USA that was “collected in Canada some time ago”, there is a fair chance that it was collected by Reiner Goebel or John Biel in the early ’90s in preparation for the convention. John and Reiner are two of the old guard of the Toronto bonsai scene.
Marc Noelanders styled this larch during a workshop at IBC ’97 and the new owner took it home. Unfortunately the owner passed away a year later and Reiner Goebel inherited the tree.
Here is the oldest picture I have of the tree in 1998.
1998
The tree developed quickly in Reiner’s hands – here it is in 2004:
2004
In 2006 it was potted into an outstanding Horst Heinzlreiter pot. At this point the tree was near its prime, with dense ramification.
2006
Reiner is doing well, but as of this year is completely retired from bonsai. I bought this tree from him in 2015 and it was in a state of decline. It had not been pruned for a few years and most of the interior growth was dead. The tree was also quite weak – I don’t think it had been repotted since the previous image in 2006 (9 years prior).
May 2015
The best features of this tree are the stunning old bark and the exceptional nebari (collected larches with good nebari are very rare). To highlight the elegant trunk and delicate bark, I removed the majority of the old low branches which had gotten too thick. This was a difficult decision as the branches had incredible character and old bark all the way out to the secondary branches. However, major changes were necessary in order to come up with a design that brings out the key features of the tree and is sustainable for many years into the future.
July 2015
A few weeks ago I sat down with this tree and did some rough wiring. This is the best solution I could come up with. I’m pretty sure it isn’t better than the original design, but the important thing is this tree can be maintained in this image for a long time. I would really like to add a secondary trunk on the left side to make it a twin trunk, however it will be difficult to find a small larch which has comparable bark characteristics. Next year it will be planted either in a nanban-style container or on a flat stone.
July 2016
Nebari and bark detail
Delicate old larch bark
August 2016
Bending a Heavy Jin and Initial Styling of a Cascade Thuja
I collected this cedar in 2013 and only this year decided to style it as a full cascade. The big character jin jutting towards the lower left is amazing, but presents a practical challenge for getting the tree into a classic cascade pot. Instead of removing it, I thought it would be interesting to try to bend it flush to the trunk. In addition to solving the pot problem, it would also add some thickness to the base of the trunk, which has some distracting reverse taper.
The cascade style is often a solution for a tree that emerges from the soil with a sharp bend.
Before bending the jin. This image also better shows the reverse taper of the trunk.
Some of the jin had to be shortened so it could clear the soil surface when bent in. I hate removing ancient deadwood from collected trees, but sometimes it is necessary to realize the design.
The elbow of the jin was notched and some wood removed from the back. It was also wrapped in a wet rag several days before the operation.
Strategic parts of the jin were protected with aluminum foil then steamed with a torch to facilitate the bending. Two clamps were used to crank the jin in.
We were amazed that the jin did not show signs of cracking or tearing. When flush with the trunk, it was secured with two stainless steel screws.
A better look at the bent jin.
The bent jin from the back.
After setting the basic structure. The two unnecessary branches will be kept for a year or two until the main foliage mass gains more vigour. Hopefully this will help minimize dieback of the two live veins, both of which are visible from the front.
Photoshop without sacrifice branches. The crown needs to be about 30% larger to better balance out the massive trunk.
Image from May 2015 repotting. This tree has a surprisingly compact root ball and while it will not be easy to get this into a cascade pot, I think it will be possible without any major operations.
Some Images from the Royal Botanical Gardens Bonsai Show
The Bonsai Society @ RBG put on a show this past weekend that was both well-executed and well-attended. Here are just a few of the many excellent trees that were on display.
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- Acer palmatum
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- Acer palmatum
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- Thuja occidentalis
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- Pinus thunbergii
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- Thuja occidentalis
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- Buxus sp.
Larches…
When you have a lot of larches spring can be somewhat of a disaster. Pruning, wiring, unwiring, and collecting more larches (glutton for punishment) all tend to fall within a fairly short window.
That being said, here are some larches at various stages of development that I have been working on over the past few weeks of this very strange spring (weather-wise).
This sinuous larch was collected in 2014 and styled a couple of weeks ago. A massive root was further reduced and it was planted in its first bonsai pot. Collected larches usually come with one or more massive root(s) which fortunately can be reduced over successive transplants. This will need one more big root operation in a couple of years.
This big larch was collected in 2014 and transplanted this year. It also had a massive root cut back closer to the trunk. It has a wild character and will take some pondering to find the best front and planting angle.
The same larch from another intriguing (but still challenging) angle.
This stout little shohin was divided from the root system of the previous big larch. After a year or two for root development, it will be planted at the correct angle and will be pretty easy to make into a nice little tree. Without the old bark, this would not be worth much, but it is old and therefore has some good potential.
This chuhin-sized larch was styled for the first time last spring and is developing quickly. This year the wire was checked and the branches were trimmed with the aim of further developing the ramification. Can you see the single cone on this tree?
The one cone this tree produced last year happened to be in an ideal position and managed to hang on over the winter. The cone is about 1 cm tall.
This tiny larch (collected 2013) is notoriously difficult to photograph. Besides pruning, this tree has never been styled. Its development has been set back due to falling off the bench twice (once my fault, the second because of raccoons ). The bark, taper, and trunk movement are ideal. Next spring it will likely be wired. This year I just transferred it into a Nick Lenz pot.
This tree has taught me that larch are not as easy to thread graft as I would have thought. Nick Lenz estimates a 33% success rate. I have a 0% success rate. This year I am trying bud grafting on some larches, and (fingers crossed) seem to be having some success. I will also give summer thread grafting a try.
Pruning and wire removal were the normal spring chores for this little forest.
This craggy tree was collected in 2012 and had major root operations in 2014 and again in 2016. Finally, it fits into a bonsai pot. Last year some rough structural work was done. This year will focus on pruning and developing branching so it can be styled next spring. One thing I’ve learned with collected trees is that not rushing them will often help you achieve your goals faster.
Old larch bark.
Professional Image of Thuja occidentalis
This twin trunk thuja has progressed well since it was collected in Spring 2013. It was styled in the summer for the first time. While the foliage is still quite immature and lacking density, I am happy with where the image is going and it is becoming hard to imagine this tree without the lovely pot by Erick Križovenský’.
It was shown for the first time last weekend at the Toronto Bonsai Society Fall Show and Sale. The entire show was photographed by one of our members Mike Pochwat, who is a professional photographer. When the full album is available, I will share the link here.
We are extremely fortunate to have such a talented photographer in our show, and that he was generous enough to take his time to photograph our trees. Meeting great people like this is just one of the many reasons why I always encourage bonsai enthusiasts to join a local club.
Happy autumn to everyone! A busy time of year for us cold-climate bonsai nuts.
Thuja occidentalis
Sandblasting Some Large Eastern White Cedars
Prior to last week I had only tried sandblasting on one small cedar. The results were excellent, but I was limited to using my friend’s small parts sandblasting cabinet which could only handle a shohin sized tree. Recently, however, a member of our club got a full sized sandblasting tank and offered to let me try it out on some larger trees. Often sandblasting is done in an enclosed tent or room, but we just did it out on his lawn.
This tree was collected in spring 2013. Last year I did a rough initial cleaning on it using hand tools, but with a craggy old thing like this, sandblasting is the most efficient way to clean away all the old dead bark while preserving the details of the deadwood. Many of the cracks and crevices are impossible to access with hand tools. Sandblasting should be a once-in-a-lifetime event for a tree. Once it is done, the deadwood can be maintained over the years with gentle brushing (water and toothbrush) and lime sulfur application (although this is often unnecessary on thuja as their deadwood will naturally bleach in the sun as long as it is clean).
We used aluminum oxide media at 50-90 psi.
The tree before sandblasting. The trunk was wet at this point as it had been raining, so it is much darker looking than it actually is.
Preparation is important. Covering the soil prevents it from getting blown away. Covering the foliage is absolutely necessary – it will die if it is hit by the media. We chose to cover the live vein with modelling clay as insurance, although this is not strictly necessary if you are careful -the bark is surprisingly resistant to sandblasting. I’ve seen pictures from Takeo Kawabe’s book (Kimura’s student) who seems to sandblast junipers with no live vein protection.
After about two hours of sandblasting. 90% of that time was spent drinking beer and waiting for the tank to re-pressurize. Sandblasting requires a high CFM compressor and the one we were using was unable to keep up for more than a minute or two.
Unwrapped.
The medium we used left a slight texture behind on the deadwood but it is all we had to work with. I am still very happy with the results. The live veins will be further defined over the coming years.
This heavy break will unfortunately be hidden in the back of the tree. It is gorgeous but there are always compromises with yamadori.
Another candidate for sandblasting. This tree was probably collected in the 80s and was once a bonsai, but had been growing as a garden shrub for 10-15 years. Most of the branches are unusable and it will be a challenge to bring this one back. I’ve been rehabilitating it for two years, but you can only expect so much backbudding from a thuja.
After blasting. No trunk protection was used to sandblast this one.
You can see where some of the bark was blasted away, but nothing too major. I will likely polish the bark on this one anyway.
Original front of the tree 20 or so years ago. It is likely to become the new back as the deadwood is quite flat and the inverse taper more pronounced.
An old picture of the tree from the Toronto Bonsai Society website.
This tree was also sandblasted then a basic structure was set. Sorry, no before picture. It was collected in the 90s by a senior club member and is also quite overgrown, but not as bad as the previous one. It could be presentable in two years.
Detailed Wiring of Big Eastern White Cedar Complete
Previous posts about this tree:
http://lakeshorebonsai.com/?p=2331
http://lakeshorebonsai.com/?p=2172
It is looking very sparse right now due to the removal of old foliage and unnecessary branches, but hopefully it will fill in before the end of this growing season. Its current sparseness gives an opportunity to see the strange relationship between the two trunks. As the foliage fills in, the pads and the spaces between them will become more well defined.
This tree is big, about 65 cm tall from the lip of the pot, and weighs about 75 lbs. The two top jins are of equal height – a problem which I will address the next time I work on the tree.
This is a photoshop adjusted picture showing how I would like to reduce the top jin on the right, and bend the jin on the left so that it better matches the overall movement of the tree.
Right side. I’ve always struggled with the flatness of the main trunk, but yamadori always have their faults.
Back
Left side
Larch Thread Grafting Woes
Most of the old crusty larches I collect need grafting. It seems the older they are, the farther the living foliage is from the interesting part of the trunk. Three thread grafts were started on this larch in spring 2014 and all three of them failed this summer (despite not yet being separated from the donor branch).
Three dead grafts. The middle one was the most important as that was to become the new leader of the tree. The one above that… well it was too high i.e. a mistake.
I’m not sure why they failed, but I think it might have had something to do with long period of time elapsed. Ideally, once started, a thread graft will grow rapidly and then take within a few months. Unfortunately, these grafts hardly elongated last year therefore they had no change of reaching the thickness required for fusion until they really started to take off this year. But in July of this year when they should have been fusing, they were instead girdled and died. This is purely anecdotal, but I believe that the callus that formed around the edges of the drilled hole was somehow too hardened-off or otherwise too old to readily form a graft union with the threaded branches by the time they were thick enough to do so. Or maybe the drilled hole didn’t form a callus at all.
Anyway, they failed and I needed to re-graft. Late summer is not a good time for thread grafting larch, so I tried a traditional approach graft instead.
I’m not sure what these nails are really designed for, but in Japan they are commonly used for grafting. With this graft they are not going through the branch, but are just adjacent to it. With thicker branches it is OK to hammer them right through the branch. They do an outstanding job of creating a very snug graft junction.
And now we wait…
First Styling of Small Thuja
This is one of my smallest eastern white cedars, collected in the spring of 2012. It took longer than it should have to reach peak health following collection because quite a bit of mucky field soil remained in the root ball until spring 2014 when it was completely bare rooted. This year it was healthy enough for a rough initial styling. Next year it will be planted in a new pot at the correct angle and the deadwood will be cleaned. It could be show ready by fall 2016.
One year after collection, still in an untouched state.
Healthy and ready for work.
After recent work. Growing a new apex is the priority for the rest of this season. This tree has some excellent deadwood which is still obscured under dirt and dead bark.
Twisty Twin Trunk Thuja in Erik Križovenský Pot
This serpentine tree was collected in the spring of 2013. I’ve always admired Erik Križovenský’s bonsai containers and thought this tree would be a great candidate for his unique style so, in 2014, I commissioned him to make one for this tree. Many people have tried to imitate Erik’s style of containers, but I’ve never seen anyone get it quite right. Furthermore, Erik has an incredible eye and designs containers to specifically match the style of each tree.
Erik is based in Slovakia and his work can be seen on his website Atelier Bonsai Element.
I hope you enjoy the following photo essay.
Spring 2014, still in an untouched state one year after collection.
This tree recovered faster than most, so received a rough initial styling in June 2014. This was the picture I sent to Erik for his design input.
Erik’s initial design. After some minor revisions, I gave him the OK to make the pot.
As of last week it had recovered from the repotting and was ready for work.
After deadwood work, thinning, and detail wiring. If it fills out as planned it could potentially be displayed this fall.
Thuja occidentalis cleanup
This tree was looking pretty good last August but I am hoping it will be looking even better by the end of this year. But before that it will have to look like crap.
It was finally repotted this spring into its first bonsai pot, some five years after collection. I am not completely happy with the planting angle nor the positioning in the pot, but that was the best I could do given the placement of the roots. The quality of the pot is not ideal either, but a comparable high quality container would be very, very expensive. If I could even find one. I am thinking about ideas for a custom made container in the future.
Much of the wire from last year was already biting in severely so the tree was completely de-wired. When I remove wire I always try to unwrap it instead of cutting it off. As far as I can see, there are three benefits to unwrapping the wire instead of cutting it off:
- it is much faster to unwrap it than cut it off bit by bit
- you are less likely to miss little loops of wire which could girdle branches in the future
- it is impossible to cut off wire that is biting into a branch without severely damaging that branch. You have to unwrap it.
The exception is very thick work-hardened copper wire which can be very difficult to unwrap without twisting the branches. I usually cut that off if possible.
The tree was also thinned quite drastically. This will simplify the upcoming wiring process and also improve the branch structure. And for the first time, the deadwood was properly cleaned and some old dead stumps were refined. It was also treated with a 50% dilution of lime sulfur.
It is now resting for a couple of weeks then it will be wired.
Strong Canadian Presence in the 2014 US National Bonsai Exhibition
I recently received my Fourth US National Bonsai Exhibition Commemorative Album and have thoroughly enjoyed studying the over 200 top quality bonsai displays in what is widely agreed upon to be the best US National Exhibition to date. As you probably know, this exhibition and commemorative album is the product of the tireless efforts of William N. Valavanis. As I have come to expect, the album is expertly photographed by Joe Noga and professionally designed and annotated by Bill and his staff. However, what truly makes this year’s album special to me is the strong representation of Canadian bonsai art.
For decades, bonsai enthusiasts from Ontario and Quebec have traveled to Bill’s International Bonsai Arboretum and other venues in Rochester to receive a world-class bonsai education. For many of us, this education culminated in an invitation to share some of our best bonsai in the 2014 USNBE. Members of the Karamatsu Bonsai Study Group in Montreal have exhibited their stunning bonsai at past US National Exhibitions, but 2014 marked the first time that special exhibits from both Quebec and Ontario bonsai societies were invited, making for a stronger Canadian presence than ever.
I counted fourteen displays from private collections in Ontario and Quebec and almost all of them were collected native specimens. Those who know me know that I firmly believe that our native species, especially Thuja occidentalis and Larix laricina, have the potential to be absolutely world class bonsai, even next to the mind-exploding yamadori of the west coast. It makes me extremely proud to see them well represented in this album and I hope that the Canadian presence at this important exhibition will continue to grow.
Bill was kind enough to allow me to reproduce some of the images from the album here and I have decided to focus on the Canadian trees. To fully appreciate the beauty of this exhibition and see more of the outstanding Canadian trees (not to mention the award-winning American masterpieces), you can easily purchase your own copy from Bill.
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- Incredible Thuja occidentalis by David J. of the Toronto Bonsai Society. David custom made a support system to safely transport this tree to Rochester.
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- Larix laricina, originally by Nick Lenz and affectionately named “Penelope”. This was the first time this famous tree has been exhibited at such a large venue and she certainly attracted a lot of attention.
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- Larix laricina by David Easterbrook, frontman of the Karamatsu Bonsai Study Group. This tree was absolutely enormous – definitely one of the largest in the show.
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- My potentilla fruiticosa. This is the last picture I have of this tree in my possession as I ended up selling it during the show. I definitely miss it!
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- ‘Crimson Frost’ Red Birch by Mike, president of the Bonsai Society at Royal Botanical Gardens. This tree also didn’t make it home from the exhibition, as it is now a permanent resident of Doug Paul’s prestigious Kennett Collection, often cited as the best bonsai collection outside of Japan.
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- Thuja occidentalis by Brian Donnelley, Karamatsu Bonsai Study Group. Brian is a master of managing Thuja foliage and I was fortunate to have a chance to pick his brain when I bumped into him during the show.
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- Larix laricina by Brian Donnelley. An elegant tree which really gives the viewer a “sense of place”.
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- Pinus banksiana by David J of the Toronto Bonsai Society. Perhaps the finest example of a Jack Pine bonsai, and one of my personal favourite trees.
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- Thuja occidentalis
Preparing Displays for Toronto Bonsai Society Show and Sale
Here is one display I will have at the Toronto Bonsai Society Show and Sale this weekend. I hope to see you there!
Collected Thuja occidentalis with moss accent.
Larch Madness
If you follow the traditional guidelines, the best time to wire and repot Larix laricina is when the spring buds are just starting to open. This is usually the most practical time to unwire larches too, because around here it is the only time they are without needles and not frozen in the ground. This “spring buds just starting to open” window can be very short – often just two weeks in mid to late April. Needless to say, if you have a good number of larches like I do, spring gets pretty busy. Add to that repotting a couple dozen more trees, building a new bench set up in my yard, and a couple of collecting trips, and you have an insanely busy last few weeks.
Here is one larch that I recently worked on. This tree changed hands a couple times in the last few years, and I snatched it up almost exactly one year ago as soon as I had the opportunity. I was collected about 20 years ago yet has spent most of that time in bonsai limbo, without a coherent design. Most of the finer tertiary branches used to create this structure were grown last year.The tree was also gently repotted into a simple Yamaaki container that suits the semi-cascade style pretty well.
After a few more years of ramification development, this will be a killer chuhin sized larch, and I am proud to be its new caretaker.
Larixi laricina, approximately 25 cm from soil line. April 18 2015.
Winter 2013 as acquired.
Thuja occidentalis Foliage Shedding
This is peak season for eastern white cedar foliage shedding. While not at all a health concern, it is somewhat unsightly and can leave your tree looking quite sparse.
To reduce autumn foliage shedding, I’ve been following the advice of Reiner Goebel and making sure I prune my cedars some time around mid-August. This year the results are really showing. Bear in mind that if a tree is early in it’s development or recently collected, it is often better to avoid pruning and just let it shed.
Pruned August 21st.
Pruned August 15th
Pruned August 20th
Not pruned
Not pruned
Not pruned
Thuja occidentalis Initial Cleaning
This large Thuja was collected in Spring 2013 and this year has been growing well enough that I have started some basic work. In the first year of collection, I try to do absolutely nothing to a tree – not even move it around the yard. Cleaning work like this invariably involves bumps and vibrations, so I don’t do it until the tree is obviously strong and established in the grow box – typically the second year.
This is not a thorough cleaning – just the removal of bark that come off easily, getting piles of detritus out of cracks and crevices, and cleaning the deadwood with water and a toothbrush to get rid of algae. After this it is easier to study the tree and identify the path of the live veins. As the live veins swell up over the next few years, they will be defined further.
The thin dead bark that is really stubbornly adhered to the deadwood will gradually be picked at over the next few years. Removing it right now would require aggressive scraping or rotary brushes that would ruin the natural texture of the ancient wood. I’m estimating this tree won’t be show ready for around ten years, so there is no point in rushing things. Cycles of wet-dry-freeze-thaw will aid the gentle removal of the bark.
Next spring it will be bare rooted and repotted into a much smaller pot or box. Like most collected Thuja, designing this tree will be a serious challenge. Semi cascade seems like the obvious direction but close examination reveals that there is no easy solution.
Before cleaning, likely front.
Before cleaning, likely back.
Before cleaning.
After cleaning, likely front.
After cleaning, likely back.
The thin layers of dead bark are the hardest to remove.
Montréal Bonsai Bazaar Saturday August 23rd
Matthiew Quinn from Bonsai Quinn asked me to share the information about the upcoming Bonsai Bazaar being held by the Society of Bonsai and Penjing of Montreal.
See here for more information about the Bazaar, or click the image below (one of the excellent larches that will be for sale). Montreal has a wealth of bonsai talent so this would certainly be worth the trip!
Gorgeous Larix laricina yamadori to be offered at the Bazaar.
Small Thuja Wired
Collected Spring 2011, about 30 cm to the tip of the dead spire. The deadwood of this tree was sandblasted last year which helped preserve the lovely little jins. The pot is by Shibakatsu.
Spring 2011, as collected.
The Feels of Bonsai
According to Ryan Neil (see this video starting around 26 minutes, courtesy of the most excellent and prolific Bonsai Eejit), the overall feeling of a bonsai is determined by the combined directions of the trunk, main branch, and apex.
Three common scenarios are:
- Trunk, main branch, and apex all move in the same direction. This creates a calm, feminine bonsai.
- Trunk goes one way, but the apex and main branch go in the opposite direction. This creates tension.
- Trunk and apex the same way, but the main branch goes in the opposite direction. This creates dynamism and is rarely seen in Japanese bonsai.
Of course there are other scenarios such as the trunk and main branch going the same way while the apex goes off in the opposite direction. My guess would be that this creates imbalance thus it is difficult to design an attractive bonsai with this layout.
Ryan’s comments really stuck with me when I first saw this video. This is a simplified but useful approach to bonsai design. Of course, there are exceptions to the above scenarios just as there are exceptions to everything in bonsai.
When I was doing the initial wiring on this Thuja this weekend, I was aiming to create scenario #2 – Tension. Two trunks which strongly move to the left and apices/branches which strongly move to the right. This made a fun and compact design.
As a side note, my initial plan for this tree was to have everything moving to the left… trunks, branches, apices. It seemed like the most logical design. However, doing this would cover up the best feature of this tree – the two “kinks” in the trunks that boast some very nice deadwood. The current design makes it possible to emphasize those kinks and, importantly, makes a more compact tree.
Devilishly Sinuous Twin-Trunk Thuja
Trunk lines like this are what keep me trekking into the wild each year to scour for nature’s freaks. This tree was collected Spring 2013 and is gaining strength quickly. I am excited to do the initial work this summer.
New Pot for Potentilla fruiticosa
Quite a flamboyant choice. Perhaps too flamboyant? Well, it technically is a flowering tree… although it certainly doesn’t carry that presence.
Regardless, I find it a fun change.
New pot by Heian Kosen
Old Yamaaki pot. This pot couldn’t handle the winter and developed some hairline cracks.
Perlite is good (but that doesn’t make it pretty).
I’ll keep this brief because soil discussions are not exactly exciting.
This is the first tree I’ve repotted since I started putting all my collected trees in 100% perlite two years ago. The root growth has been excellent and I was glad to see that there has been no noticeable decomposition of the perlite after two winters.
There are probably a million other substrates that larches grow equally well in, but you would be hard pressed to find one that is as inexpensive and lightweight as perlite.
So perlite is good. Not exactly revolutionary.
/end of soil discussion.
Collected with a weak root system in 2012.
Now it has a strong root system.
The red stuff you are seeing all over my trees is coloured mulch. I got it for really cheap last autumn but now the damned stuff is everywhere!
Bonsai Society at Royal Botanical Gardens Exhibition
My local club, the Bonsai Society at Royal Botanical Gardens, had our first club exhibition this weekend. Bonsai@RBG was founded almost exactly 4 years ago in October 2009, and we were all proud of the exhibition our young club was able to produce.
Approximately 60 tree were displayed, all on stands and most with accompanying accent plants. We had no backdrops for many of the trees and we thought this would be an issue, but were pleasantly surprised with the feeling of openness that it gave the show. It was nice to be able to walk into the room and gaze across the entire exhibit. Of course, backgrounds are always more desirable in a formal display setting, and this is something we will work towards for future shows.
One of the amazing things about our show was how we all pooled our resources to make the best possible displays. Many of our members do not have stands, so we pooled together everything we had and paired the best stand with the tree, regardless of owner. Similarly, members provided accent plants and scrolls to elevate the display. Without this mutual support, the show certainly would not have come together as well as it did.
Enjoy the pics below of some of the trees I was able to photograph. Most are blurry because of the low light, I had to turn down the shutter speed and of course forgot my tripod.
A panoramic view of the back wall where some of the larger bonsai were displayed alongside some nice antique scrolls. None of us are experts in displaying bonsai with scrolls, but I think it is safe to say that they added to the beauty of the display.
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- Accent
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- Thuja deadwood accent
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- Nice Bigei pot and stand.
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- Hinoki Cypress
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- Shimpaku Juniper
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- Japanese Maple “Bloodgood” by Nick Lenz
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- Eastern White Cedar on “Niagara Escarpment”
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- Tamarack/Larch
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- Portulacaria afra
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- Tamarack/Larch
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- Pitch Pine “Ragged Shore”
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- Collected Hawthorn
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- Demon Head Larch
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- American Larch “Penelope” by Nick Lenz
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- Korean Hornbeam and Blue Rug Juniper
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- Potentilla fruticosa
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- Eastern White Cedar
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- Some Lenzisms
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- American Larch on Demon Head by Nick Lenz
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- Crimson Frost Birch
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- Larch Deadwood
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- Siberian Elm
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- Accent
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- Crab Apple
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- Hawthorn Trunk
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- Trident Maple
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- Ginkgo biloba
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- Wisteria
A Big Thuja That Was Collected This Spring
This large Thuja occidentalis was captured in April of this year. All of the pictures except the last one were taken in April soon after collection, when the tree was still in it’s dull winter colour.
The trunk is huge with some dramatic movement. The deadwood also tells some fascinating stories, particularly the massive break in the 8″ diameter middle section. One has to wonder how damage like this could be done without completely uprooting the tree.
This tree certainly doesn’t present any easy design solutions, so it will be a challenge. Currently these are the best pictures I have of the tree as it is tucked away in the rehab area.
Hard tree to photograph as the base is covered by some branches.
I’ve been planting all of my larger collected trees in pure screened perlite for the last couple of years.
Before root washing and potting up, giving a glimpse into the base of the tree. This is a good example of the impenetrable root mass that Thujas are often collected with. Very little of it is actually live root. Hosing out as much muck as possible greatly simplifies watering the containerized tree.
Some details:
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- Break
A more recent picture of the tree. It has been under shade cloth the entire year.